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The Charm of Abstraction

by Disappearing Ink

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1.
See My Life 03:07
Things that used to keep my interest At four in the morning won’t Thrill me anymore, And I’m not really sure Why that is. See my life through my eyes: foam that trails the tide. Maybe I’ll trade common sense for providence, Let clichés guide me, and the doubt inside me Will melt away. See my life through my eyes: foam that trails the tide. Inside outside, outside inside. Wear my nice shoes, at least I tried. I don’t remember how to make a picture Of a future I had conjured, But I remember what it is To carry myself through. See my life through my eyes: foam that trails the tide.
2.
Talk to Me 02:53
I tried to hold your hand And you put it in your pocket. Looked you in the eye And you looked at the carpet. I try to understand how you're feeling, Are you feeling nothing? Can't you see how much I love you? How can I know you if you won't talk to me? You wish I weren't there When you see me in the morning. Say the wrong thing And there's a crisis dawning. Anger's in the air, Someone tell me where it comes from. Can't you see how much I love you? How can I know you if you won't talk to me? What do you have if you don't have family? If I could read your mind, Would I flinch at what I'd there? Echoes of me Yelling somewhere. If my regrets can't find A little purchase somewhere within you. You can't see how much I love you. How can I know you if you won't talk to me? What do you have if you don't have family?
3.
4.
Die Laughing 02:20
People hear a voice like their own and they think it's the truth. Tell a ridiculous tale, they won't know it's a spoof. Dude heard about Pizzagate and put a bullet in somebody's parmesan. That's when they figured out they could perpetrate an even bigger con. Watch 'em light pussy candles and eat horse goop And you laugh till you're out of breath. My concern as regards this bullpoop is that we're Entertaining ourselves to death. You think it's "funny ha ha," I think it's funny "weird," I think it's wrong, the joke's gone on too long like ZZ Top beard. We are the entertainment and are watching ourselves 24/7, No rest, And we'll die laughing in a Barcalounger Just like in Infinite Jest. It's no laughing matter. Not so "funny ha ha."
5.
6.
Mercy 03:04
When I'm feeling this stuck, thank god I got a microphone 'Cause I've been sitting all alone Going nowhere like a mobile home. Adversity hitting like a cannonball All attempts to move forward fail, I just trip and fall. You wonder if everyone's cracking, is it just me? Crashing cars, quitting jobs, ODs, I can see People hitting the end their rope With no hope And you don't even know Where it's safe for you to go. Mercy mercy mercy. When you feel it's gonna get worse, remember: Every chorus needs a next verse. Sometimes adversity comes and we're not prepared. Got no plan, we get scared And start making excuses. Clutching grievances regarding various frauds and abuses, Losing perspective, confound a tragedy with a nuisance. How can you distinguish when you're flooded with bad news? Out in the world, in your home, it's all blues. I could find a way through it if I had time to think, But I don't and my thoughts dissipate like disappearing ink. Mercy mercy mercy. I feel like I'm climbing a ladder with no rungs. How can I hear the truth when so many people are speaking in tongues? Need to find some time but there's no time to find. I got so little left. The hands on the clock are spinning like a top. Let me catch my breath, let me catch my breath. Billionaires kick the earth in the balls and ride a dick to space. Racist governors make teachers lie about the white race. Authoritarians talk about freedom with a straight face. How do I keep a smile on my face and still clean up the place? See that "Be Kind" sign, it's fine, but it's not enough. Deselect my electors and I might "be kind" of rough On your noggin, Send you down a hill of suffering on a misery toboggan. And another thing. You're not gonna live in my head rent-free. I need to make space to simply be. It's not as easy as pie or like Sunday morning, Every optimistic thought encounters a warning. How do I think of the future but not sit there and dwell on it? How do I share a piece of my soul but not get to selling it? Promise me a bit of mercy at the end of the line And I'll be fine, I'll be fine, I'll be fine, I'll diguhmadiguhmadiguhmadiguhma
7.
8.
Ghosts 02:37
You showed it to me. Now you know: You know how it feels. Now you know how it feels. Now I know I am real. To each other, we are ghosts Who've planted a seed. A seed within each other, Now we need time to grow. We are a harvest of love, Waiting to be Reaped, So we must lean Toward the sun. Gather light to Replace the ghosts With what we've sown. Replace the ghosts With what we've sown. We are ghosts, alone. We are ghosts alone.
9.
10.
11.
Hardly Core 01:00
12.

about

Disappearing Ink is a project of Lawrence Lanahan, a Baltimore journalist and nonfiction author (The Lines Between Us: Two Families and a Quest to Cross Baltimore's Racial Divide). Lanahan chose the moniker Disappearing Ink as motivation to not be defined by the last thing he created. The driving guitar trio and jazz harmonies of 2014's There Is No Time and Nothing's Been gave way to 2020’s Surprises, which added electric piano, hit harder, and flirted with psychedelia. RECOUNT, a 2021 EP, brought dark grooves to a reflection on the paranoia that blanketed America in 2020.

On The Charm of Abstraction, Lanahan returns to his songwriting roots, but abandons the guitar, his primary instrument. The result is a wild album that reflects Lanahan’s songwriting from a cracked electronic mirror: intricate programmed beats, mesmerizing synths, imaginative samples. Nonetheless, the core songwriting voice critics recognized all the way back on his folky 2004 debut EP—the “melodic and lyrical invention,” the “chilling chord progressions,” the “rare honesty and power”—comes through.

The album title comes from Jean Baudrillard’s Simulacra and Simulation, and the album radiates hyperreality, from GPS-inspired album art to the cover of Dionne Warwick’s “You’re Gonna Need Me,” itself a nod to J Dilla’s chopped take on her tune on his album Donuts. The dancefloor headtrip of “Take Five No Four No Three” evokes a robot percussion troupe, and lead single “See My Life” narrates a midlife crisis over a pastiche of guitar feedback, samples of home-recorded drums, and synth washes. In “Die Laughing,” Lanahan rhymes a warning that we are “entertaining ourselves to death” over rhythmic samples of his own laughter. In the music on this album, as Baudrillard wrote, “…it is no longer a question of either maps or territories. Something has disappeared…”

Lawrence Lanahan has made music in Baltimore for two decades. His sound has been shaped by his love for great songwriters, adventurous arrangers, and free improvisers. He studied jazz with guitarist Carl Filipiak and composition with composer Judah Adashi. Baltimore City Paper shortlisted Disappearing Ink's first record release show as a "don't miss." Maryland Public Television’s ArtWorks noted Lanahan’s “alternately quirky, poignant, and gosh-darn beautiful melodies” and said “his lyrics reveal him to be a student of human nature.” Lanahan's 2004 solo debut EP was played on WRNR, WLOY, WMUC, HOBER Thinking Radio, and Radio Nova Nonsolomusica in Italy. One reviewer called Lanahan “a singer-songwriter with the guts to breathe some life into an otherwise stagnant genre.” Others have praised his “intricately picked guitar work and melodious, thoughtful songs” and “wit, emotion, [and] bizarre narration.”

credits

released June 1, 2023

Produced by Lawrence Lanahan at Last Session Studio, Baltimore, MD. Mastered by Alan Jones at Laminal Audio, Kitsap County, WA. All songs by Lawrence Lanahan except "You're Gonna Need Me," by Lamont Herbert Dozier, Brian Holland, Edward J. Holland, Richard Wayne Wylie (Gold Forever Music: BMI).

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Disappearing Ink Baltimore, Maryland

New album 6/1/23 from Baltimore songwriter/producer Lawrence Lanahan's band Disappearing Ink! On The Charm of Abstraction, Lanahan abandons guitar for mesmerizing synths, intricately programmed beats, imaginative sampling, and occasional rhymes. Even with a new sound, his core songwriting voice--“melodic and lyrical invention,” “chilling chord progressions,” “rare honesty and power"- remains. ... more

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